Spring Palace paintings, a euphemism for Chinese erotic paintings, are rooted in antiquity and developed concurrently with the rise of rich mercantile cities in Southern China from the 10th century and reached their apex in the late Ming dynasty (early 17th century). In the conservative Confucian society, the topic of sex was strictly taboo and these paintings served as an outlet and a source of escapism and were only viewed in private. These paintings were also used as a tool for sexual education.
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